Eschaton
I did not plan ESCHATON. It emerged over time, as images made across different places and years began to speak to one another.
For more than fifteen years, I had been photographing landscapes, bodies, places and fragments of everyday life. Each series followed its own path. Gradually, connections appeared. The images began to form a larger whole, charged with a feeling I had sensed long before I could name it: that something irreversible was approaching.
ESCHATON brings these separate bodies of work together. It is not a retrospective, but an ongoing attempt to understand what the images have been telling me.
The word points towards an end, but the photographs do not announce an apocalypse. They remain with what is still here: vulnerable bodies, traces of life, fragments of a world whose future can no longer be taken for granted.
Prints available. • Contact for exhibitions and acquisitions • Preselection Athens Photofestival 2024
Prints & exhibition copies Available as limited editions: 40 × 50 cm and 50 × 70 cm. Piezography carbon inks on Hahnemühle Photo Rag 308g. Signed and numbered. Exhibition loans available on request. → matthias.koch@pm.me
Collector Print — 40 × 50 cm
Piezography Pro Carbon on Hahnemühle Photo Rag Baryta 315 gsm
The print measures 30 × 45 cm, presented in a 40 × 50 cm format
Authenticity
Limited edition of 12. Signed, ArtTrust certificate of authenticity.